February 5, 2010

Don’t Abuse Scene Breaks

This week, my daughter Lisa Shiel (an author, editor, and book designer) posted the following Twitter update:

Yes, you can have too many scene breaks in a novel. More is not better. Creating a dizzying pace of scene changes can cause motion sickness!

She was in the midst of converting a client’s book file to a Kindle format. The book, as you might have guessed, is all-but-overwhelmed by rampant scene breaks — with some scenes as short as two sentences.

I sometimes wonder if this is the result of authors drawing too much from poorly directed movies and too little from well-written books. Unless your goal is to write a book that can be made into a movie script with little more than text reformatting, you should spend some time contemplating what constitutes a scene.

Movies produced over the past couple decades tend to use the MTV approach to directing and editing — just one short scene followed by a quick cutaway to the next short scene, then repeat for the next two hours. What this does is prevent the viewer from truly identifying with any characters and, sometimes, even grasping what the movie is trying to communicate. If you don’t think movies have changed radically in this regard just watch a few of the classic old movies (by old I mean pre-1960) and then compare them to the box office successes of today.

The same comparisons, unfortunately, can be made between older classics and many novels by many neophyte novelists today. You should not learn the craft of good fiction writing from the movies. Instead, study novels written by the best writers in your chosen genre. The best novels almost always give you a chance to identify and emphasize with the main character(s).

All of which leads back to the whiplash scene break syndrome Lisa tweeted about.

Remember that the purpose of a scene in a novel is to lay out what happens over a defined period of time in a specific place. If you jump to a different location, you probably need a new scene. If you jump forward or back in time, without writing any connecting action, you probably need a new scene.

In many novels, each chapter is a complete scene, and each scene begins a new chapter. However, sometimes you need to skip quickly forward in place or time (or insert a flashback) without including the connecting events or adding some bridge text to make the move. The usual way of doing that is with a scene break, which is typically indicated by a blank line or two or the insertion of a glyph or glyphs (e.g., a few special characters centered on a line between the two paragraphs).

If each scene is fairly long with very different clock, calendar, or map settings, you might want to start a new chapter. There’s nothing wrong with short chapters, either all of them or just an occasional one.

Another common use of the scene break is to allow a third-person narrative to switch point of view from one character to another, sometimes even describing the same events from the other POV. For more on this, see Avoid Mid-Scene Point-of-View Shifts.

If you find yourself writing a really short scene before jumping to another scene, consider an alternative. You might find it simpler, and more enjoyable for the reader, to take a sentence or two to describe (either in narrative or through dialogue) what happened. Then just continue with the current scene or move on the the next — longer, we hope — scene…or chapter.

An abundance of rapid-fire scenes might work well in an action-packed movie that lasts 90 minutes or so. It rarely works as well in a novel that requires hours to read. Take the time to evaluate each scene and determine if it is long enough to be meaningful or if it should be eliminated, rewritten, or worked into the previous and/or following scene (or chapter).

You certainly don’t want your readers to suffer from mental whiplash or motion sickness, right?

January 15, 2010

Mulling Over Ebooks and Videos

Two interesting studies and one new iPhone/iPod Touch app surfaced this week. Herewith my musings about them.

Consumer Attitudes Toward E-Book Reading (BISG)

The Book Industry Study Group released the first of what they promise will be three major studies for 2010. There were 556  survey participants (all of whom indicated they had purchased an ebook or owned a dedicated e-reader). Here are the pertinent findings released by BISG in their news release (to get all the details you’ll have to buy the $149 report):

  • 30% would wait up to three months to purchase the ebook edition
  • 20% have quit buying print books in favor of ebooks
  • 28% said they would “definitely” purchase an ebook with DRM
  • the most popular reading platform is the computer (47%) followed by the Kindle (32%), with the other e-readers filling in the remaining 21%
  • 81% purchase ebooks only “rarely” or “occasionally”

Time Spent Viewing Online Video Up 13% in December (NeilsenWire)

This study by The Neilsen Group surveyed online video sites and sources. Here are a few details:

  • viewers watched 13% more minutes of online video (2009 vs 2008)
  • number of unique viewers increased 10% (2009 vs 2008)
  • Number of streams viewed per viewer increased only 1.4% (2009 vs 2008)
  • In December 2009, 137.4 million unique viewers watched 10.8 billion video streams
  • On average in December 2009, each unique viewer watched 2.48 minutes of video streams
  • The top two video sites were, not surprisingly, YouTube and Hulu (with YouTube accounting for almost 10 times as many video streams and unique viewers)

Txtr app lets you read Adobe-DRMed ePub on your iPhone or iPod Touch (Teleread)

Not owning an iPhone or iPod of any kind, I can only report what David Rothman of Teleread has said about the new Txtr app for those devices. However, I think it is a good thing. People should be able to read their ebooks on any platform they want, particularly the ability to read the same book on their desktop, dedicated e-reader, and smart phone.

You can do that today with Amazon Kindle books, thanks to their iPhone/iPod Touch app and the new Kindle for PC desktop app (with a version for the Mac supposedly in the works). It would be great in Amazon would upgrade all the Kindles so they could display ePub, too (DRM or not). After all, the Kindle is the number one dedicated e-reader on the market (see first item above).

Overall, I think all of the above helps those of us in publishing and writing to focus our energies.

Ebooks are still gaining popularity, although I expect the phenomenal growth curve to flatten considerably sometime this year or next. Despite all the hype about the number of book apps downloaded by iPhone and iPod Touch owners, those devices did not even make a mention in the BISG study results. I suspect that most of the apps (book-related and otherwise) downloaded to those devices are the result of people thinking “how cool” but not really following up by using them a lot.

The study results on online video are also interesting. I think we at Slipdown Mountain Publications LLC really need to get our act together on that front. I’m still not very thrilled with the concept of a book trailer, as such, (I’ve watched a lot of them and not one has ever spurred me to buy the book) but I think there are a lot of other opportunities to connect with potential readers via video.

January 6, 2010

Publishing Forecasts

I’ve been reading all the hyped-up forecasts from industry experts about where the publishing industry and books in general will be one, ten, or twenty years from now.

I tend to take them all with a large dose of salt. In my almost-63 years, I can’t even begin to count all the forecasts I’ve read, heard, and watched. They tend to fall into two categories (it really doesn’t matter much what the topic is, either):

  1. Forecasts that the future will be more-or-less like the present…only more so. In other words, they merely extrapolate forward what is happening now (or has happened in the recent past), sometimes assuming a steeper progress curve.
  2. Forecasts that the future will be radically different from the present, usually including some crystal-ball gazing to pronounce all sorts of wonderful — or terrible — changes ahead.

One thing virtually all of them have held in common — they’ve been wrong. And the farther into the future they tried to forecast, the more wrong they have been.

I fully expect the latest round of forecasts about the future of books and publishing will be just as wrong. Of course, that doesn’t mean that we should just give up trying to guess what’s around the next corner…or 100 miles down the road. It does mean everyone else should relax and accept those forecasts for what they are — educated guesswork (some more educated than others).

With regards to e-books, I see little to be gained by not buying a new e-reader right now in hopes that the next thing to appear on the scene will reshape the landscape. Apple’s much-hyped but not-yet-seen iTablet (or iSlate or whatever they decide to call it) might do just that. Or it might cause yawns from all but the hard-core Apple fanatics. It might even bomb (especially if it really does cost $1000).

If you always hold out and wait for that something better sure to be imminent, you’ll never get in the game at all.

My only forecast for the future of books and publishing is that this year will likely see a continuation of last year’s overall trends. I don’t think the slope of the e-book sales curve will continue to increase…and it might very well decrease (the rate of increase, not overall sales). I think that e-book sales will, sooner or later, hit a peak.

I also see no reason that e-book reading will ever become an either/or environment — I think there will be enough folks who want a dedicated device to support a significant number of alternatives (although there inevitably will be some shakeout in the market) AND there will plenty of people who want to read on some kind of multi-purpose device (laptop, netbook, iPhone, whatever).

After all, decades of marketplace skirmishes still have left us with PCs and Macs.

What about the “enhanced e-books?” I think there will be a place for them, but many (possible most) readers don’t read a book so they can watch a video, play a game, get sidetracked with links to other stuff. We read for the joy of reading. If I want a video, I’ll go find a video. If I want to research something — in a library or on the Internet — that’s what I’ll do.

I think the people who will latch on to “enhanced e-books” will mostly be those who really aren’t interested in reading. So that could create opportunities for authors and publishers to lure non-readers to their products; I just wouldn’t call those products books. And other authors and publishers will continue to succeed with the more traditional books, without all the silly bells and whistles.

That’s as much of a forecast as I’m willing to make. The future, almost invariably, surprises us (expert or not) by taking turns that nobody saw coming.

December 30, 2009

Do Christmas Kindle Book Sales Hint at Sea Change?

So, the other day Amazon put out a press release that made a big fuss over the fact that the sales of Kindle books exceeded sales for print books…on Christmas day itself. On just that one day.

The publishing Twitterverse and blogarama has been buzzing as though Amazon had announced it would no longer even sell print books.

Relax, folks. I don’t blame Amazon for publicizing the interesting statistic. And it is no surprise that publishing types would react with an almost ridiculous “OH WOW!” attitude. Particularly those who have been trying to convince the world that the days of printed books are numbered and the domination of e-books is inevitable (maybe they watched too much of Star Trek: TNG with the Borg).

Actually, it’s almost more surprising that nobody forecast that this would happen (the upside-down sales, that is, not the visceral reactions). After all, Amazon had let it be known in the weeks leading up to Christmas that the Kindle device was their biggest seller of the season.

What is the first thing all those new Kindle owners were going to do after opening the box and turning it on? Go grab some books, of course.

On the other hand, how many people on Christmas day — before or after opening their Christmas gifts — jump to the computer and start ordering print books? Probably very, very few.

Before we make grandiose forecasts and get all weak-kneed over this single-day statistic, how about we sit back and wait to see if this is an impending full-scale attack or just an interesting blip on the publishing radar?

So far, I have not seen a follow-up Amazon statement about the trend continuing over the ensuing five days.

Much also has been made of the fact that the bestselling Kindle books tend to be…well, free. And that may, in fact, be the larger issue by far, at least for publishers and authors. Have you actually looked at many of those free e-books? They are predominantly a real pain in the brain to read. After all, if you’re going to give it away, you can’t spend a lot of time or money making it look as good as possible.

Despite all the hoopla around the idea that “free” is the best marketing tactic of the new millennium, I would hate to see advertising become that only way for writers and publishers to make actual money from the craft. That almost certainly would just accelerate the publication of the pabulum that already dominates the offerings from most publishers. We already give away a great deal of what we write these days, by way of blogs, discussion groups, and Twitter. If people gravitate only to what is given away, why bother trying to perfect your craft? If the masses want junk, that’s what they’ll get.

So, does the one-day sales statistic from a single online retailer signal a major sea change in publishing? I doubt it. If the trend (e-books outselling p-books) continues, and maybe accelerates, over the course of months, I might have to change my mind.

What’s your take on this Christmas Day Event?

December 28, 2009

Digital-Only Books Are Cultural Suicide

I suppose many people would read that headline and consider it heresy. Others probably don’t see a connection between e-books and the survival of a culture.

So, bear with me a bit. This is something that’s been bugging me for years now.

First, don’t accuse me of being a Luddite. I have a degree in electrical engineering (one course shy of a minor in computer science). I was an Air Force pilot. I worked for 20 years as an engineer on the latest and greatest defense programs (B-2 bomber, F-16 and F-22 fighters). I’ve owned and used personal computers since the days when you had to use a cassette tape player for data storage and an old B&W TV for a monitor. I’ve programmed computers in languages used on mainframe and personal computers (Fortran, Algol, Cobol, Basic, PL1, etc.). My computer programs in college were done using huge decks of punched cards created on manual keypunch machines.

I have been using the Internet since the days when you put your telephone handset in a cradle (and 300 baud was awesome bandwidth) and everything was text-only.

I have jumped on just about every technology bandwagon that’s come along. I love technology and everything it has done, and continues to do, for us.

Second, I’ve been reading and purchasing e-books since I first found somebody offering downloadable TXT-format files. I think e-books are great as alternative formats, and some books can be digital-only without any serious long-term effects.

But I think society is making a serious mistake when it accepts the idea that digital-only books and/or web-based books are a good idea in general. Likewise, when we accept the idea that collaborative literature is better than a lone writer cranking out words that we must read the way that writer intended them to be read without editorial input from the readers.

There is a notion that has been proselytized far and wide for years now — a notion that now permeates our schools — that everything done by a team is better than if accomplished by an individual. Creativity, they insist, is the result of drawing on a diverse pool of inputs. It takes a village, so the unspoken mantra goes, to create truly great ideas.

Folks, that is the mindset that produced communism — the individual must be subservient to the group.

Would Shakespeare’s plays have been better if a team had produced them? Would Mark Twain’s insights been more on-target and meaningful if he’d let his potential readers edit it in some data cloud? Would you even be able to recognize the voices of the great writers and thinkers, who’ve contributed so much to the evolution of society (for good and ill)?

That’s not meant to denigrate teamwork, which is important in many ways. But real creativity almost always stems from the genius of an individual who sees things differently than the larger group…or society.

All of which, perhaps in a roundabout way, brings me to my main concern with the explosive growth of  (and even grander expectations for) e-books and the “data cloud.”

Question: Are e-books more permanent than printed books?

Answer: Are you kidding? I have tapes and disks, squirreled away in a box, with data on them, and the data on them that can’t be accessed by any PC in general use. I suppose if I searched long enough, I could find somebody with an archaic machine that could retrieve the data, but I would also need to find some equally archaic software to interpret much of it. I keep one old, slow PC around primarily because it still has a functional 3.5″ disk drive. But I have no machine that can read the old 5.25″ single-sided, 180kb floppies I still own, mostly created in the original version of the TRS-DOS operating system.

Ah, you say, but somebody somewhere can read them. Maybe. Today. What about tomorrow? Or ten years from now?

No problem, you might say, Google is ready to take all of today’s digital content and upload it to their digital cloud where it can be accessed anywhere on any platform or OS.

But wait…

Let’s just suppose that a major solar flare and accompanying mass ejection slams into Earth next year. There’s a real possibility, maybe even a high probability, that it could disrupt electrical grids worldwide (maybe for years) and even wipe out data residing in data storage systems. Or maybe a batch of Islamofascists detonate a handful of purloined nukes in key locations…the resulting EMP might accomplish almost as much.

I’m sure the ancient Sumerians and Egyptians thought their civilizations and all their records would last forever. And the Greeks. Likewise the Romans. Even the “sun never sets on the” British Empire was once thought invincible.

What we know of those cultures and societies stems from data and records put in a solid, physical format. Some of it was lost to the effects of time and the elements, of course. Some of it took researchers a long time to decipher and understand. What if the ancient Egyptians had committed everything to 2.36cm semi-rigid diskettes written in long-forgotten software code using who-knows-what operating system? How much would have survived? How long would it have taken to determine what it was, how to read it, and what it all meant?

It probably wouldn’t matter much if 90% of the books being written today were lost forever to posterity or a future civilization trying to recover from the ashes of the past. But which 10% is worth trying to preserve? Which books will make a difference to an unknown, and unknowable, Earth society a century or a millennium from now?

If those 10% are the ones somebody committed to archival paper and stashed away in a suitable storage box, our culture just might make a difference to those future Earth citizens trying to reinvent the critical things.

But what if the only things to survive are Entertainment Weekly or the collection of Harlequin romance novels?

And, if Google creates their goal of a massive data cloud of all books and knowledge…what if some megalomaniac decides to take it over and start rewriting and changing the data in it? Orwell may have been truly prescient with his vision of history books being rewritten to support the latest versions of “truth” while all the previous editions are destroyed. That is far easier to do when all data is digital…particularly if it exists only in a cloud somewhere.

Google may not be the one to try to rewrite what’s been created…but if history is any indication, somebody will try to do so. And they might succeed.

Of course, we have people rewriting history all the time. Unfortunately for them, we still have copies of the older texts in personal, academic, and public libraries. They can never completely eradicate what was already committed to printed form.

I’m sure some would argue that the same can said for digital data — it will exist on somebody’s laptop somewhere. But more and more companies, and individuals, are succumbing to the lure of keeping that data only in the cloud (by using Google’s cloud computing apps).

And there’s still that nasty solar flare. It’s not really a matter of if…only a matter of when and just how serious.

Societies and cultures have risen and fallen over the eons. Ours will be no different.

The question is — what will remain as our cultural legacy? Only digital bits that can no longer be accessed or interpreted (or, perhaps, even recognized)?

Yup, digital-only is a recipe for cultural and literary suicide.

Food for Thought

Forget E-Books: The Future of the Book Is Far More Interesting

The e-book, the e-reader, and the future of reading

Well, that’s a sufficiently long and rambling post for today. I’m still pondering a post about whether the proliferation of e-books will unalterably affect the ability of our descendants to think critically.  Don’t laugh. Young brains are being rewired today in ways we can only guess.

Oh…and I hope you had a Merry Christmas and are about to have a truly Happy and Prosperous New Year!